Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Film Viewers Guide Review

Film Viewers Guide
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The previous review of this book was by a film professor. This one is by a film STUDENT. This book was required reading for my first film class which was an introduction to film class called: the Language of Film. This book is definitely a great introduction to the art of film. It is not a book about filmmaking. It is a book that introduces with each chapter a new angle from which film can be studied. Everything about film is covered: Film history; genre films; narrative form; the stages of film production, distribution, and exhibition; mise-en-scene; editing and sound in cinema; film criticism; and the future of film. Each section is accompanied by examples and screen captures from popular classic and modern films, and scattered quotations from popular and obscure filmmakers.
The title of this book is a perfect description of what the book is. If you are a beginner, it is perfect for an overview or outline of what film is. If you are an advanced film student, it is great for sharpening your knowledge of film.
With regard to the previous review by the film professor who was afraid that this book would put off his/her students, it would be better for students to know early on what they are getting themselves into. If you are actually turned off after reading this book, you shouldn't go any further with your film studies.
In conclusion, this is a great book that introduces the purely cinematic aspects of film that distinguishes it from every other art form. I highly recommend it.

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Packaged free with each copy of Film Art, this new guide by David Bordwell explains how to analyze and write about films.--This text refers to an out of print or unavailable edition of this title.

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Film Composers in America: A Filmography, 1911-1970 Review

Film Composers in America: A Filmography, 1911-1970
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What a wealth of information! If you love lists, you'll love this book, as it comprehensively details the composers (and orchestrators) who wrote the background scores, often anonymously, in the golden age of American motion pictures. It ends at 1970, which may seem arbitrary, but you can't complain about the author's resourcefulness in researching the extant archives of the major Hollywood studios. Invaluable for libraries and fact-collectors who want to know "who really wrote that score".

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Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.

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The Cobra in the Barn: Great Stories of Automotive Archaeology Review

The Cobra in the Barn: Great Stories of Automotive Archaeology
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I have scouted, searched, and on occasion bought an old car that has been sitting somewhere without a "for sale" sign on it. This book reads like the journal I'd like to write. The cars and their circumstances are mostly unique situations, and the lost/found and long term pursuit angles are the best. For the most part the buyers have a genuine interest, if not a personal one, in the cars they seek. Thankfully, the megabucks trophy collectors and hoarders who fill their warehouses (and ruin it for most everyone else) don't dominate the book.
If you are looking for high end writing and extensive stories, or if you only like certain cars, this book may not be as much fun for you. It is not Peter Egan's "Side Glances." Some accounts are better than others, but overall it is an enjoyable and entertaining book.


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The Earthmover Encyclopedia Review

The Earthmover Encyclopedia
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Following the resounding success of his "Giant Earthmovers - an Illustrated History", Keith Haddock has gone the full distance to produce a masterpiece in heavy equipment. Arranged by machine manufacturer and equipment category for quick reference, this comprehensive guide covers every significant manufacturer in North America and many others. Vital stats. on each machine with emphasis on record-setting achievements and significant milestones in machine development are included. Each manufacturer's history is covered in detail in the photo captions and text. Vividly illustrated with over 900 spectacular photographs, most never before published, this encyclopedia explains the creation and evolution of each equipment class and follows their development right up to date (2002). Provides in-depth information on crawler dozers, wheel dozers, crawler loaders, wheel loaders, loader-backhoes, scrapers, graders, off-highway trucks, trenchers, and all types of excavators including shovels, draglines, bucket wheels and hydraulic machines. A must for everyone in the earthmoving industry and every equipment enthusiast.

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Inside Box 1663 Review

Inside Box 1663
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Much has been written about the technical and scientific work done at Los Alamos, but this book tells about the human side of the effort, from the perspective of a wife of one of the scientists who was recruited for the project. It paints a tale of a families uprooted from their homes, living in conditions that would be considered intolerable by contemporary standards, completely isolated from their relatives. It describes the horrific hours of work by the scientists and other workers as well as numerous other sacrifices, by people who *knew* that they might possibly be the only obstacle to totalitarian world domination.
One of the thoughts I couldn't help but consider after reading this is that Americans in the 1940s were made of tougher stuff than we are today. I'm far from confident that, in this day and age, we'd rise to the occasion in the same manner as the heroes of '1663'.

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As the author herself put it, this is "the lives of men and women who lived and worked in grimsecrecy to hasten the end of the war." It is the story of stressful lives, cryptic conversations between husbands and wives, leaky faucets and water shotrages, censored mail, and sharing a post office box with every other person in town- PO Box !1663, Santa Fe, NM. Life was filled with difficulties, but it was also filled with determination to overcome the hardships and reach a goal. Tying it all together was a sense of pride, of patriotism, and communal spirit that surpassed anything they knew before or after those days of the manhattan Project.

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Colossus: The Rise and Fall of the American Empire Review

Colossus: The Rise and Fall of the American Empire
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Ferguson's thesis is basically as follows: the world is a very dangerous place because it contains menacing terrorist and criminal organizations along with numerous states which are either (a) unstable or failed states and thus breeding grounds for the aforementioned (e.g. Afghanistan), or (b) all-too-stable states which give support to the same. Given that (1) the UN's membership is made up of tyrants (e.g. Zimbabwe), dysfunctional governments (e.g. Congo) and states which are simply irresponsible (e.g. Russia), and that (2) Europe is too weak both militarily and morally to keep order, the United States has to do it. Yet the U.S. itself may be unable to fill this role due to its financial imbalances and the unwillingness of individual Americans to serve abroad or even pay attention to what is happening.
Overall evaluation: The fact that I give this book a "five star" rating should not imply that agree with it entirely. Ferguson sets forth several main theses, with which I agree entirely, and along the way makes numerous judgments on ancillary issues, several with which I disagree. I am a specialist in Middle East affairs, and I think Ferguson's understanding of the region is basically sound and much better than most who write about these things. I disagree with a few factual evaluations, but I only noticed one blatant factual error: the Abu Nidal Organization (formed in 1973) and the Popular Front for the Liberation of Palestine (formed in 1967) did not arise in the 1980s with Hizbullah and Hamas, and furthermore they were (the ANO doesn't exist now) and are not Islamist or identified with Islam in any significant way (as misstated on pages 123-124).
This book is valuable and worth reading for two reasons. First, Ferguson lays out why it is that some global hegemon is necessary and beneficial to the world, and why the U.S. can and should fill that role. He notes that regions of the world where U.S. military hegemony is lacking tend to be violent, poor and unstable. Not merely Europe but the other more developed regions of the world have benefited from this military umbrella. He also discusses how the British empire, despite the brutality and exploitation which often came with it, also held many economic and security benefits for nations under British rule. Ferguson's argument is not that the U.S. should try to copy what the British did, but that they should learn from their predecessors in hegemony, keep the good, get rid of the bad, and do better for themselves and the world today.
Second, Ferguson argues that despite the ability of the United States to be a force for good in the world, its foreign policy, or "empire," as he puts it, has serious weaknesses due to its three "deficits" - its financial deficit, its manpower deficit, and its attention deficit. The financial deficit comes not from military spending, but from the estimated $45 trillion in unfunded liabilities from Medicare/Medicaid and, to a lesser extent, Social Security. The manpower deficit comes not from a lack of population, but from an unwillingness of Americans to serve abroad, either in the military or in civilian positions. The attention deficit comes from the paucity of interest most Americans have in the details of what goes on in the world. These are the deficits which could cripple U.S. foreign policy in the future.
My primary question about Ferguson's approach is more semantic than substantive. Although empires of the past have often done good as well as bad, the term has been so demagogued that it is difficult to have a rational discussion once you use the word "empire." Moreover, because the U.S. has no settlers, only expats and professionals who do relatively short overseas tours and then come home, America today is really quite different from Britain in its imperial heyday. I would use the word "hegemon" because, while still offensive to some of the illiterati, it is fully accurate, and it describes the kind of role that the United States needs to play to fulfill the role set out for it by this Scottish historian.

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Along the Trail with Lewis and Clark Review

Along the Trail with Lewis and Clark
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I travelled the entired L&C trail 2 years ago and used an earlier edition of this book and an earlier edition of Julie Fanselow's guide book to the trail. Fifer's book has beautiful maps, but in all other ways, I felt that Fanselow's guide book was much better. The Fifer book was lacking a lot of information on sites, hotels, and campsites that the Fanselow book had. Also- my copy of the Fifer book started to fall apart after a few days on the road- the binding wasn't very secure- this makes big difference when you're referring to a book every day for several weeks! Additionally, the Fifer book had a lot of ads and the Fanselow book didn't. Some of these problems might have been corrected in the new edition, of course. I'm glad I had the Fifer book on the trail- the maps were helpful at times. But if someone is looking to purchase just one book to travel the L&C trail, Fanselow's book is definitely superior.

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Euclid and Terex: Earth-Moving Machines Review

Euclid and Terex: Earth-Moving Machines
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I've thoroughly enjoyed reading Orlemann's book. As both a user and a fan of "green iron", I'm glad someone went through all the work to research the subject. Although it reads a bit on the dry side, the detailed technical data is appreciated. The most pressing questions I had, such as what happened to the Terex line and why, are sufficiently addressed by Orlemann. He also covers the transformation of Euclid from a family owned and operated company to GM's heavy equipment division. To top it all off, there is a chapter on prototypes that never made it to production, including 92 series trackloaders and an 82-30C.

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The Prefabricated Home Review

The Prefabricated Home
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As an architect interested in the idea of prefabrication I approached this book with the hope of learning as well as being instructed and entertained.
The author succeeded on all counts.
This book is extremely readable without losing any weight in content.
I recommend it to anyone looking for both a historical and a social history of prefabricated building techniques.
My only criticism is that the book skimmed over the huge prefab industry in Asia and Japan in particular to focus on Europe and North America. A small gripe concerning an excellent and rewarding read.

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From sash windows and ceramic tiles to barracks and warehouses, industrialized building has thrived since the nineteenth century in Europe and America. Yet architects have neglected this area of practical construction in favor of historical, theoretical, and artistic analyses, resulting in the emergence of an influential building industry with architects on the far margins. Colin Davies explores in The Prefabricated Home how the relationship between architecture and industrialized building has now become an urgent issue for architects.The Prefabricated Home outlines the methods and motives of prefabricated buildings and assesses their architectural implications. Davies traces the origins of the branded building phenomenon with examples ranging from the Dymaxion bathroom to IKEA's "Bo Klok" house. He also analyzes the use of industrialized buildings worldwide—including McDonald's drive-through restaurants and contrasts the aesthetic concerns of architects against the economic ones of industrialized building manufacturers. Ultimately, The Prefabricated Home proposes a partnership of architects and industrialized building that could potentially produce an exciting new type of humane and eco-conscious architecture.

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Night Wings Review

Night Wings
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The Native American Abenaki people have a legend about a huge flying creature called Pmola. It lives in the mountains, guards its treasure, and punishes trespassers harshly.
To thirteen-year-old Paul, this legend has always been little more than a scary story, until the dreams start haunting him. Then, he and his Grandpa Peter run afoul of a ruthless treasure hunter who has heard the legend of Pmola. Soon, Paul's nightmares are taking on an even deeper meaning than he could have ever imagined.
NIGHT WINGS is an exciting story that blends an ancient legend with modern criminals. It gives the reader heroes to cheer for and villains to hiss at, and something scary that literally goes bump in the night. What's not to like?
It also offers a fascinating peek at some Native American traditions and beliefs from an author who is himself of Abenaki heritage.
NIGHT WINGS is recommended for readers who like a scary story told in an engaging style. It is a fairly short novel, which makes it especially appropriate for younger readers. Older readers might be left wanting a longer tale, however. They are probably used to more character development and multiple plot lines, both of which are largely lacking in this book.
Nevertheless, NIGHT WINGS is an engaging story about a fascinating Native American legend that should have appeal for horror fans.
Reviewed by: K. Osborn Sullivan

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Diners, Bowling Alleys, and Trailer Parks: Chasing the American Dream in Postwar Consumer Culture Review

Diners, Bowling Alleys, and Trailer Parks: Chasing the American Dream in Postwar Consumer Culture
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This is essentially a book of social history, although it brings together the disciplines of economic history, gender studies, architecture, and popular culture. Hurley discusses how diners, bowling alleys, and trailer parks reflected the social values of the 1950s and 1960s. The chapters on the three building types go into excruciating detail; for example, every nuance of diner design and operation is discussed and scrutinized for meaning. The book would have been improved if the author had covered more building types in the same number of pages.
Hurley's overriding theme is laudable: On the outskirts of most towns, there is a region that constituted that community's "commercial strip" during the 1950s and 1960s, before America discovered fast food, shopping malls, and big-box stores. Most of us drive through these past-their-prime commercial strips every day, seeing nothing but obsolete buildings. Hurley points out that these obsolete commercial strips are the equivalent of archeological sites, speaking volumes about how family values have evolved during the past half-century.

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Ready to Roll: A Celebration of the Classic American Travel Trailer Review

Ready to Roll: A Celebration of the Classic American Travel Trailer
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An architect and a photographer co-authored this classic mix of pix and text that rolls us down the American back roads in high style. From the early almost-train cars manufactured for the wealthy, to the poor man's alternative --- "Sleep in Your Car," one ad suggests --- we are drawn along by the fantasy of life fully lived away from home, a fantasy that could only have taken root in America, where roads and cars grew up together in serendipitous symbiosis.
Before the metal bodies and custom interiors, there had been the Conestoga wagons and, before that, the wooden gypsy vardos of old Europe. Sheepherders had "arks" made for crawling across the lonesome prairie, precursors to "tin can tourism" that attracted freedom-loving Americans almost as soon as they discovered the practicality of the auto itself.
From the 1930s onward, the question was not if they would buy it but what shape they would purchase, as independent companies vied for a market share, assembling campers shaped like teardrops, bread loaves and fantastical avian forms lifted from the burgeoning airplane industry.
Today's RVers owe much to Wally Byam, a true fanatic whose conception of a trailer accessible to the average middle-class family resulted in the Airstream, arguably the finest development of the pull-along format. With wood paneled mod cons within and an aerodynamic metal bullet exterior, the Airstream divorced trailering from the Oakie image and spawned many imitators. While confections like the Curtiss Aerocar and Pierce Arrow's faux railcar sought the aristocratic end of the market, and utilitarian itsy-bitsy tent-trailer combos attracted the low budget traveler, Airstream sat doggedly in the middle, offering class, ease of hauling and fine workmanship at an affordable price. "Today, more than four decades after his death in 1962, Byam's basic Airstream design continues to roll off the Jackson Center production lines, still widely regarded as the Rolls-Royce of trailers, and still inspiring imitations."
For nearly fifty years in the heyday of over-the-road vacationing, there was a Very Large Array of metal boxes on wheels, with names like Comet, Gypsy Wagon, Spartanette and Airfloat, and some more durable brands like Shasta. Because these ephemeral blips on the trailering screen were often handcrafted and built, remarkably, to last, many are still rolling or at least set up on blocks in mint condition, alluringly photogenic.
Gellner and Keister sought them out and tastefully snapped their innards and their outer skins, along with the cars that pull them. Where the snowbirds flock, these metal bubbles proliferate, often hauled by cars of equal interest to collectors. Now there's a new craze, and why are we not surprised --- that of building "vintage" campers, look-alikes to the old timey road runners of the early 20th century. Is this true "camp" or what?
Peering inside these metal marvels, via the camera's eye, we get a feeling for what was considered essential to the traveler in times past: parquet flooring, lounge chairs, recessed doors and plastic laminate kitchen counters, the latest thing. Beginning as a simple imitation of home interior design, trailer construction soon became a playground for experimentation in the technology of the tiny, the art of making things work smoothly in cramped quarters without skinning knuckles or having to sleep in a ball.
Like millions of Americans, I've followed the camper craze, the boondoggling and midnight interstate rest area getaways. I've moved with the carnival where homes on wheels have to be durable for the weekly hops. Maybe when I retire I'll look for a campsite at Slab City in California or Quartzite, Arizona.
If you love this book, then you're the guy for me. You and I could hit the high spots --- starting at Braden's Castle in Reno (that's where we'll get married), then on to Shady Dell in Bisbee, Arizona, where overnight guests can stay in vintage trailers. We'll honeymoon there in the Spartan Royal Mansion.
--- Reviewed by Barbara Bamberger Scott

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Americans in search of family oriented domestic travel, safe and inexpensive, are buying trailers and RVs in record numbers. At the same time-with fantasies of Lauren Bacall sipping an extra-dry Gibson against a gleaming metal doorway in Palm Springs and Lucy and Desi's madcap Long, Long Trailer trip-they crave the vanished luxury and quirkiness of antique auto trailers. Those simpler, slower days of freedom and security are being recaptured in trailers from all eras, rescued and restored as living, road-ready Americana. Ready to Roll, with more than 300 color photographs, taps into this trend in gloriously illustrated and insightfully chronicled retro style. Here is the complete evolution of the trailer, from the utilitarian Covered Wagon to the aristocratic Airstream and Aerocar Land Yacht to the homemade Hammer Blows of the Depression. Here too are the people who drove these cherished chariots and increasingly lived in them in trailer parks, from the stereotypically seedy to the likes of Bing Crosby's exclusive Blue Skies Trailer Village. The amazing camaraderie of groups like the Tin Can Tourists marks the trailer phenomenon as a major segment of American consciousness and history.

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