Showing posts with label psychological. Show all posts
Showing posts with label psychological. Show all posts

Freezer Burn Review

Freezer Burn
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Bill Roberts is a laconic and none to smart loser that decides to rob a firecracker stand just across the street because his mother is now dead and stinking up the place and he cannot get the nerve up to forge her social security checks to get the money, which he is just about out of. With two cohorts helping him out, the robbery goes well for about two seconds. Then things go south in a hurry. Four corpses later, poor Bill stumbles out of the swamp and into a traveling carnival Freakshow run by a kind hearted man with a hand growing out of his chest and his femme fatale wife. Hoping to hide out until things cool down in the real world, Bill takes a job there and waits for the proper angles to present themselves. Gidget, the blonde bombshell wife of the show's owner, has some plans of her own as well as some very nice angles to get them done.
Freezer Burn is largely a retelling of the film 'Freaks' as a comedic roman noir. Chock full of unsavory characters that view humane behavior as stupid and weak, this is certainly not a novel for all tastes. Longtime Lansdale fans will be delighted to see him brush up on his darker roots, the ones responsible for The Nightrunners and the black as tar noir nightmare The Night They Skipped the Horror Show. Others used to the trace of nobility found in his most recent work will wonder why he wasted his time telling the tale of such an unlikable sociopath anti-hero. Being a nearly twenty year Lansdale addict I heartily recommend to his longtime fans as well as to those who just like dark hearted noir with a goofball twist.

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Endings Review

Endings
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Endings
Endings reminds us that a physician is capable of writing more than just prescriptions. This is a first - and one hopes, not last - effort by a Texas-based orthopedist, Barbara Bergin, who draws extensively upon her experience as a surgeon and as a championship horse rider. But while the practice of orthopedic medicine and the love of horses figure prominently in Endings this novel fundamentally has to do with the reality that lies beneath the superficies of our lives - a reality that encompasses the complexity of our human relationships, of love and loss, of matters present and past - of experiences which we may easily own and want to relive or which we may seek to escape. In short, Endings is a complex and challenging book..
The novel is also a love story - not a "romance" - but a story of love lost and love found, as ephemeral as that may ultimately prove to be. The protagonist, Leslie Cohen, an orthopedist who, through personal tragedy, has become a nomadic practitioner - a locum tenens - filling in here and there throughout the country when others go on vacation or medical leave (as is the case in the novel), literally accidentally meets (a collision on a wet Texas highway) an engaging rancher-cum-builder with whom she develops a relationship, in spite of herself. There is "love making" that is intimate in detail and convincing in passion - but without the kind of perfervid expression that often mars the depiction of sexual engagement in "romance" novels.
Leslie Cohen, as nomad, has entered into a journey - but it is a wandering both into the present and into the past. In some sense, she is at a stasis, stuck at a point in time, at which the past and present seem to fuse, beyond which she cannot pass. But is she stuck? Is there a present, and has there been a past? This is the ingenious point of the novel. It would be egregiously wrong for a reviewer to say more. It falls to the reader to get to the ending of Endings to understand and to plumb the depths of this narrative.
From a purely stylistic point of view, the author has a clear talent for creating in her central character a subject locus, a strong point of view, for the telling of a story that embraces in rich detail a broad canvas of the natural world (like Leslie Cohen's wondering about the destiny of vagrant scrapes of paper, wind-stuck on an Abilene fence) and of a shared humanity (as in Dr. Cohen's compassionate treatment of two "illegals" horribly injured while attempting to hop a freight train). While we are brought into the inner world of the protagonist, the narrative does not lapse into tedious introspection, and while we join with the protagonist in viewing her world and the people in it, the author does not fall into any kind of omniscient narration.
This is a novel that deserves many re-readings!

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