The Insider's Guide to Independent Film Distribution Review

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(More customer reviews)If you've never had a movie distributed then this is a good starter book. It doesn't contain all that you'll need, but it will definitely get you thinking in the right direction. It's got a lot of info for a decent price.
However, if you've already had a flick distributed and are looking to get a better deal on your second flick, this probably isn't the book for you, as much of this is novice-only.
So for
Fledgeling filmmakers: 4 stars
Experienced: 2 stars
Also recommended: From Reel To Deal, the Dov S. S. Simens book, that has(besides some excellent filmmaking tips) plenty to say about getting distribution for your flick.

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Innovation in technology means that almost anyone can make an independent film these days. Although this may be good news for aspiring filmmakers, it also means that the oversupply of independent films on the market has caused acquisition prices to dramatically decrease. As a result, producers and investors rarely recover their initial investment in the films they make. But don't be discouraged! Use this book to learn the realities of the market in advance and map out a winning distribution plan. This comprehensive manual for filmmakers and producers dedicated to film distribution and the marketplace could mean the difference between getting your film out to the public and keeping it "in the can." Learn how to sell your movie to a studio, a cable network, a video distributor, or an international buyer. Self-distribution and other alternatives to traditional distribution are also considered. As well, you'll hear some success stories from producers and hearexactly what buyers are seeking.Stacey Parks has worked with dozens of hungry filmmakers to get their films a distribution deal and knows how frustrating the whole process can be. Let her tell you how you can take control of your filmmaking career and start getting your work seen by audiences with a few little-known distribution secrets. Features include: * Interviews and case studies with producers and distributors* Ten Ways to Market Your Film for Self-Distribution* Sales Projections per Territory* Distribution Resource Listings* Negotiation tips for distribution agreements* Sample distribution agreements* What you must know to get your independent film distributed* Written by a distributor who knows the process inside and out* Interviews with buyers and acquisitions executives from every sector of the business on what kinds of films they look for, what they're sick of seeing, and how their acquisitions processes work

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I'll Be in My Trailer: The Creative Wars Between Directors and Actors Review

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(More customer reviews)Actors... can't live with them, can't fire them. Of course, actors are very special people. And of course, the main key to dealing with them is communication. However, finding the RIGHT way to communicate is often very difficult, because the way a director, writer or a producer thinks is very different from how the mind of an actor sees the creative process. (they also differ greatly from each other, but that's a whole different ballgame)
John Badham, director of some huge hits (Saturday Night Fever, Stakeout, War Games) tries to build bridges in this book, even though the title leads one to believe the tone will be fairly belligerent. On the contrary, while there are some stories about extremely bad behaviour here, Badham is being very constructive. In many cases, he puts the blame for an incident squarely on his own shoulders, even when an objective observer would think he did nothing wrong. His main goal is to facilitate the communication between director and actor, by explaining how to give direction in a way that actors can actually use. Badham himself uses the `as if'-technique (i.e. play this scene as if you got to catch the last train) to put actors in the right frame of mind. However, this approach isn't right for everyone (some actors DO want result-oriented direction), and Badham duly notes alternative approaches.
The book also provides a ton of helpful hints for almost all of the problems that can crop up on a set, acting-wise and actor-wise. When dealing with an addict, the only option is tough love. When some actors misbehave just for the fun of it or to flaunt their own power, a swift and just retribution is in order - except when you're dealing with real stars, who are beyond anyone's power to control.
The book also contains lots of interviews with actors, directors and producers who provide insights from all sides of the `war'. There's a lot of on-set anecdotes about Travolta (Saturday Night Fever) and Richard Dreyfuss, among others, and the interviewees include both huge stars, television directors, well-known actors who never made it to the A-list, and producers. The book is completely succesful at what it sets out to do, though of course the problems will remain. But now at least, there's some real help out there for directors struggling to get their cast under control.

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